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It is probably most simply expressed as love of beauty, but as Jolyon feels and the story shows, it would be wrong to reduce it to an aesthetic response: it leads to love, and to sympathy, and (shades of Forster again) to a desire to connect and belong.
It’s Irene who precipitates the action again in , this time by appearing at the country house built by her lover Bosinney for her husband Soames, and now owned by Jolyon. about those weeks of lovely weather, and this new companionship with one who demanded nothing, and remained always a little unknown, retaining the fascination of mystery.
1 I celebrate myself, and sing myself, And what I assume you shall assume, For every atom belonging to me as good belongs to you.
His chance encounter with Irene brings new interest to his life: she is beautiful, she has suffered, she is kind to him, she plays Chopin. The flowers were coloured brighter, scents and music and the sunlight had a living value–were no longer mere reminders of past enjoyment.Hinter der physischen Welt tun sich Verbindungslinien zwischen den Treibstoff-Stücken auf und schaffen ein Netz von Echos aus der Festival-Entstehungsphase.INSITE TREIBSTOFF ist der Schlüssel zu dieser Parallelwelt: Mit der App auf dem Smartphone lassen sich an festgelegten Koordinaten Videowalks freischalten, durch die man in die Proben, Inszenierungen und Denkprozesse der Treibstoff-Gruppen eintaucht.Even Irene, whose situation ought to be the most touching, is at too much of a distance to sympathize with except in the abstract.turns out to be the perfect antidote to this faint chilliness of affect.